Freedom / Vulnerability, 2012

A marriage between Christian Albert Lucien van der Kaap, born 25.04.2989 in Enschede and Marina Elenskaya, 07/16/1983 born in Krasnodar, Russia in the English Reformed Church of the Begijnhof in Amsterdam 11.00 gather, 11.30 service

Making public that I was going to marry my girlfriend, people in my surrounding responded to telling us they wanted to be a part of it. A strange reaction in our opinion, because isn't marriage usually a bond between two people? Is the public present not merely a witness and apart from that share no active role in this. Why then their spontaneous reaction? I can only say how much I appreciate it and how it has inspired me as an artist to look at what this commitment means. How can our intimate promise inspire a community?

The 5th of may, Dutch liberation day it will be about belonging. Behind the busy Spui square, we will join in the Begijnhof to gather in silence. We let others speak, present and play to help us shape our intimate bond. It’s about freedom and vulnerability.

With: Margriet van der Kooi, Rory Pilgrim, UNDA foundation, Raphael Langmaier, Elsbeth Ciesluk, Isfrid Angard Siljehaug, and others

Univocally, 2012

Univocally, the project we are working on hard to complete just got sponsored by the Materiaalfonds and Stichting Stokroos.

Univocally, 2012

The presentation Univocally is an investigation into the ethics of cooperation and a reflection on contemporary crafts. Finally not ambiguous and multi-interpretable title. Since my first solo exhibition (SOLO: the maker ain't so lonely as before, 2010) I have aimed to produce work conducted by others. Driven by the theme of loneliness, I have invited craftsmen to make work attributed to an insecure and unfamiliar situation. The voice of the craftsman which has become known as merely executive, is asked to reassert itselves in the arts and towards the viewer. The open dialogue between artist and maker produces an unpredictable voice that appeals to the public even though it might not be fully understood. As a result of an intimate collaboration in which I restored an old mould for a porcelain producer in Krasnodar, Russia a series of seven (of which six hand painted) bells are created. 'Univocally' expresses their understanding of the production process, where all employees are required to look in the same direction in order to deliver a successful product. Indicating my desire as an artist to enter into an existing production, we speak from one mouth and explore the form and sound of a bell. As a result, various voices inside and outside the arts together create a single presentation. A sound for those who like to relate to art but are uncertain about their contribution.

More Soon...

Evening talk 03/07: How sculpture can support us?

"Christian van der Kaap will give an evening talk on the 3rd of July 2011 from 9-10 PM in the Zolder Museum. For reservations please contact zoldermuseum@gmail.com"

http://www.zoldermuseum.com/wordpress/?p=77

When you sell the stuff you're fixing, 2011

When you sell the stuff you're fixing (sneak preview)

18/06 03/07 ZOLDER MUSEUM www.zoldermuseum.com

Opening 18/06 20:30

Special Thanks to:

_David Kaus and Denis French of the National Museum of Australia, Melbourne. For replying to my every enquiry about the 'interactive object from the indigenous section intended to give visitors some experience in using grinding stones.' (www.nma.gov.au)

_Ewa Perlejewska of Olctyn, Poland - Ceramist, Porcelain specialist

_Lanfranco Sernesi from Monaco Metropolitano of Florence, Italy. Traditional solutions to the contemporary needs of workers, students and travelers counting on the research for harmony to resolve any apparent contradiction (www.monacometropolitano.com)

_Mark Palmans from Atelier L'ombelico, Neerpelt, Belgium - Letterpress, roadsignals, cavedrawings, 3d chrome, afro art, references, contact (www.letterzetter.be)

The Guardian, 2011

I presented a number of works in the context of an evaluation at the academy. Another attempt the curate works in an exhibition. Each student invited up to five experts. An expert of your work can be a good friend, colleague from work, one you always wanted to show what you're up to or someone who works in a completely different discipline, but whose natural authority bridges that gap. These people are approached as exclusive guests of the exhibition. Making it into a special chance give ones work away in confidence. Given my interest in asking people to do things for me, I have seized this opportunity to invite my experts to speak about the history of sculpture in accordance to my work. In response to this invitation, they will became part of the work "The Guardian, 2011"

Opening 16th february 16.30. On show till 18.02.2011 in the exhibition 'And by the way, this picture has great significance because... in the KABK gallery

It's a pity he's ugly, otherwise I'd marry him

During the presentation of your work in a group, there are always works you hate or are ashamed of sharing the same space with. Sometimes it is the space itself that destroys your work completely. Willy-nilly, you learn to make your work so that it can withstand this inevitable evil. In this exhibition, artist entrusted the presentation of their work to their fellow artists. From this grows a love relationship from which something is created that no longer is fully part of them. Amid the (fertile) voltage between curating and creating, these works are exhibited.   

29.01.2011 In the Royal Gallery, Royal Academy of Fine Arts, The Hague

Ana Lemnaru for Pernille Lonstrup
Christian van der Kaap for Iva Supic Jankovic
Christian van der Kaap for Aimee Zito Lema
Eva Pel for Iva Supic Jankovic
Isfrid Siljehaug for Eva Pel
Iva Supic Jankovic for Sara Campos
Kaja Wie van der Pas for Laure van den Hout
Kristina Benjocki for Robin Waart
Laure van den Hout for Kaja Wie van der Pas
Miguel Peres dos Santos for Ana Lemnaru
Miguel Peres dos Santos for Kristina Benjocki
Pernille Lonstrup for Isfrid Siljehaug
Robin Waart for Phil Bosch
Robin Waart for Christian van der Kaap

Robin Waart for Christian van der Kaap

Pure M, carved out chocolate letter, 2010

SOLO

Presentation of the work in Het Concertgebouw.
Pictures by Kristina Benjocki / Maurijn Rouwet

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No Country for Old Men

An experimental glossy magazine about making dough. Consisting of a photo shoot where I asked two young fellow artists to knead dough in the bakery before the dawn. Zooming in on the physical aspects of making as moulding and re-moulding material. Reflecting on the time of preparation of the academy which would eventually lead to the professional side of "making dough" known in the English language as making money. These photographs spanned the timeline (beginning to end) of the magazine which was further filled with text contributions from close friends about making, craft and loneliness. The enigmatic title meant to propagate non-conformity to any given age, any given trade and any given place.

20.0 x 18.0 cm 40p. Edition of 500 free editions presented at Gerrit Rietveld Academy 07/2010.