Univocally, 2012

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Univocally. 

In many ways the bells project 'Univocally' is a sequel to the Pietà I 'received' for my first solo exhibition SOLO: the maker ain't so lonely as before in Het Concertgebouw in 2010. It also builts on my interest in ceramics. This series of Russian made porcelain bells is about the precarious relationship between the viewer and the maker. 'Univocally, 2012' is not just another souvenir-styled gift. The title of the project describes my artistic desire to go into an existing production. Univocally is about the different trades within one process, working together to produce a single object, driven by perhaps a single purpose. The word univocally also responds to the sound of a bell, whether or not these seven casts ever will sound in unison. Six of seven sculpted, moulded and cast pieces will be handpainted in the little workshop (in Krasnodar, Russia) in which I have worked and intiated this project, concluding a period of two motnth work, now almost a year ago. The calm and collected voice of all who participated was suddenly threatened, breaking any claimes of my utopic 'artistic' ideals. Divorce, disagreements and a threatening closure of the workshop, all endangered the precarious voice that was to enchant the viewer the moment it was finished. 

Now, almost a year later, the project is finally nearing completion. Revealing more and more of the importance to work together in unison in order to produce the desired outcome. The time it took encompassed lots of changes in the design of the bell and redefinitions of the project. What didn’t change was the title, which appeared, just like the bell, to be a beacon and a form of meditation. Just like 'SOLO' in 2010, the anticipated result of this collected effort may suprise each and everyone of us and might start a whole new story of it's own.

Univocally, 2012 is a project by Gerb95, Krasnodar and Christian van der Kaap with the support of Marina Elenskaya, connecting not only our difference in views but also the stretch in language. 

Freedom / Vulnerability, 2012

Freedom / Vulnerability, 2012

A marriage between Christian Albert Lucien van der Kaap, born 25.04.2989 in Enschede and Marina Elenskaya, 07/16/1983 born in Krasnodar, Russia in the English Reformed Church of the Begijnhof in Amsterdam 11.00 gather, 11.30 service

Making public that I was going to marry my girlfriend, people in my surrounding responded to telling us they wanted to be a part of it. A strange reaction in our opinion, because isn't marriage usually a bond between two people? Is the public present not merely a witness and apart from that share no active role in this. Why then their spontaneous reaction? I can only say how much I appreciate it and how it has inspired me as an artist to look at what this commitment means. How can our intimate promise inspire a community?

The 5th of may, Dutch liberation day it will be about belonging. Behind the busy Spui square, we will join in the Begijnhof to gather in silence. We let others speak, present and play to help us shape our intimate bond. It’s about freedom and vulnerability.

With: Margriet van der Kooi, Rory Pilgrim, UNDA foundation, Raphael Langmaier, Elsbeth Ciesluk, Isfrid Angard Siljehaug, and others

Supermarket Artfair, Stockholm 2012

The Zoldermuseum presents 'Give a little bit, 2012'
a work in collaboration wit Yeb Wiersma at the
Supermarket Artfair in Stockholm, Sweden

supermarketartfair 2012
zoldermuseum

Dichtbij.nl

Taken from a billboard in Russia, where neither word nor letter looked familiar, this striking but unidentifiable logo of a company seems to bear a universal language. The action portrayed by the stylized hands seems as though its promoting a symbolic but ambiguous gesture from a maker to a receiver. The receiver present in the logo seems to gladly acknowledge the wholehearted gesture. The viewer on the other hand, invited to witness this transaction, remains uncertain of its significance. I liberated this image from it's original context and delivered it to the dutch website www.dichtbij.nl [English: 'nearby'] a website directing its visitors to local news and advertisements by use of their given postal codes. The website agreed to place this logo for a short amount of time on every page regardless of the visitors present location. Exploring the notion of empathy between a sender vs. receiver and a local vs. universal context.

Univocally, 2012

The presentation Univocally is an investigation into the ethics of cooperation and a reflection on contemporary crafts. Finally not ambiguous and multi-interpretable title. Since my first solo exhibition (SOLO: the maker ain't so lonely as before, 2010) I have aimed to produce work conducted by others. Driven by the theme of loneliness, I have invited craftsmen to make work attributed to an insecure and unfamiliar situation. The voice of the craftsman which has become known as merely executive, is asked to reassert itselves in the arts and towards the viewer. The open dialogue between artist and maker produces an unpredictable voice that appeals to the public even though it might not be fully understood. As a result of an intimate collaboration in which I restored an old mould for a porcelain producer in Krasnodar, Russia a series of seven (of which six hand painted) bells are created. 'Univocally' expresses their understanding of the production process, where all employees are required to look in the same direction in order to deliver a successful product. Indicating my desire as an artist to enter into an existing production, we speak from one mouth and explore the form and sound of a bell. As a result, various voices inside and outside the arts together create a single presentation. A sound for those who like to relate to art but are uncertain about their contribution.

More Soon...

Pure M, 2010

Pure M, 2010 (carved out chocolate letter 'M'  presented in box)

as a gift for Marina Elenskaya

some people will actually tell you what is they aim to do to you and when they do you might want to listen

for Marina Elenskaya